English, Country Dance Tune (3/4 time). D Major. Standard. AABB (Chappell, Raven): AABBCCDD (Plain Brown). This
melody appears in Playford's Dancing Master (2nd and subsequent editions), Walsh's
Compleat Country Dancing Master (vol. i), and Gay's Polly and other ballad operas. The Cheshire Rounds was also a once‑popular dance, and Chappell (1859) found
several references to its performance:
In Bartholomew Fiar, at the Coach‑house on the pav'd
stones at Hosier‑Lane end, you will see a Black that dances
the Cheshire Rounds to the admiration of all spectators."
(Play‑bill by Dogget, 1691. In fact, the only known portrait
of Dogget shows him dancing the Cheshire Round.)
Sleepe now keeps the Whelp and Bacon in Smithfield
Rounds, where are to be seen a young lad that dances a
Cheshire Round to the admiration of all people."
It is one of the tunes called for by "the hobnailed fellows"
in A Second Tale of a Tub (8vo, 1715).
The name Cheshire is an ancient contraction of Chestershire. See also the melody “Our Cat Has Kitted” from the Joseph Kershaw manuscript for a 19th century version from North West England. Chappell (Popular Music of the Olden Time), Vol. 2, 1859; pg. 167. Plain Brown Tune Book, 1997; pg. 5 (Chappell’s
setting, preceded by two other parts). Raven (English Country Dance Tunes), 1984;
T:Cheshire Rounds 
S:Chappell – Popular Music of the Olden Time(1859)
fe/f/ g/f/e/d/ f/g/a|b e2 d cA|fe/f/ g/f/e/d/ f/g/a|A d2 A FD:|
|:BA/B/ =c/B/A/G/ F2|E e2 d ^cB/A/|BA/B/ =c/B/A/G/ F>E|D d2 A FD:|
Cheshire Round (2)
English, Country Dance Tune (3/2 time). C Major. Standard. AABBCC. A different tune than “Cheshire Rounds ."
The melody was published in Walsh’s third collection of Lancashire tunes (Lancashire Jiggs, Hornpipes, Joaks, etc.) around the year 1730. Source for notated version: Edward Jones’ 1798 publication
Popular Cheshire Melodies. Knowles (A Northern
Lass), 1995; pg. 8.
AKA and see "Duke William’s Hornpipe," "Jack's the Lad ," “Lancashire Hornpipe ,” “Sailor’s Hornpipe .”English, Scottish, Irish, Canadian, American; Hornpipe. D Major (Ashman,
Colclough, Huntington): G Major (Johnson, Perlman): C Major (Harding, Howe, Raven): B Flat Major (Athole, Burchenal, Cole,
Cranford, Emmerson, Honeyman, Howe, Hunter, Kerr,
McGlashan, Skinner, Vickers). Standard. AABB (most versions): AA’BB’ (Cranford). A country dance and tune which was
extremely popular both in England and in America. In the latter country
it appears, for example, on page 28 of a dance MS of the Pepperell, Massachusetts, maid Nancy Shepley,
c. 1766, and in the music manuscript copybook of Henry Livingston, Jr. (as “Colledge Hornpipe,” set for the German
flute). Livingston purchased the estate of Locust Grove, Poughkeepsie, New York,
in 1771 at the age of 23. In 1775 he was a Major in the 3rd New York Regiment, which participated in Montgomery’s invasion of Canada in a failed attempt to wrest Montreal from British control. An important
land-owner in the HudsonValley, and a member of the powerful Livingston family, Henry was also a surveyor and
real estate speculator, an illustrator and map-maker, and a Justice of the Peace for DutchessCounty. He was also a poet and musician, and presumably a dancer, as he was elected a Manager for
the New York Assembly’s dancing season of 1774-1775, along with his 3rd cousin, John Jay, later U.S. Chief
Justice of Governor of New York. Carr published in America the tune in Evening Amusement (pg. 15) about August, 1796, and, some one hundred and fifty years later, the tune was still
popular for New England dances. Burchenal (1918) printed another contra dance of the same name to the tune, as Howe
(c. 1867) did earlier. A variant is familiar to most modern people as the theme to the mid-20th century cartoon “Popeye
the Sailor Man.”
In England, Chappell's editor concludes that it cannot date from earlier than the second
half of the 18th century, and Chappell himself believes that the tune was an old sailor's song called "Jack’s the Lad."
The melody has become associated with the nautical hornpipe type of dance which became popular solo step‑dance on the
stage at the end of the 18th century, and, in fact, it is popularly known as "The Sailor's Hornpipe" today. One of the earliest
printings of the tune appears in a volume entitled Compleat Tutor for the German Flute,
published by Jonathan Fentum, London, c. 1766, the same year as Nancy Shepley's American dance MS. Another early British printing
appears (as “Colledge Hornpipe”) in Thompson's Compleat Collection of 120
Favourite Hornpipes (London, Charles and Samuel Thompson c. 1764‑80.) and the title was entered at Stationers' Hall
in 1798 by J. Dale, London, as "The College Hornpipe." William Vickers printed the tune in his Great Northern Tune Book under
the title “Old Lancashire Hornpipe,” and the tune is contained in the 19th century
Joseph Kershaw Manuscript (appears twice, as “Duke William’s Hornpipe” and “Collidge Hornpipe”).
Kershaw was a fiddle player who lived in the remote area of Slackcote, Saddleworth, North WestEngland, who compiled his manuscript from 1820 onwards, according to Jamie Knowles. Ken Perlman (1996) dates the tune to the
17th century or earlier and states that it was used by Henry Purcell (c. 1658-1695) in his opera Dido and Aeneas. Perlman does not cite any substantiating data, nor where he obtained this information, and at
present his assumption seems unlikely.
Two Lancashire Hornpipes
(1) English, Hornpipe. North‑West England. D Major. Standard. AABB. The name Lancaster is derived from the Roman occupation of England, with ‘–caster’ stemming from the Latin word castra (in Old English, ceaster) and the first part of the word referring
to the river Lune; thus Lancaster is the ‘settlement on the Lune’. Knowles (Northern Frisk), 1988; No. 41.
(2) Scottish, Country Dance Tune (3/2). The melody,
in the old hornpipe metre, appears in the Bodleian Manuscript (in the Bodleian
Library, Oxford), inscribed "A Collection of the Newest Country Dances Performed in Scotland written at Edinburgh by D.A. Young, W.M. 1740." The old hornpipe metre survived particularly in the
English midland counties, especially Lancashire.